
andhya Anand
Carnatic Vocalist & Violinist
2025 Individual Artist Fellow - NJ State Council on the Arts
Student's Scribe
My Thoughts and Research about
Mridangam in Carnatic Music
By : Sharada Mahadevan
One fine evening we were supposed to have a practice session with the mridangam artist before the main presentation in the temple. But the mridangam artist could not make it. So we had a practice session without the mridangam artist. So I was wondering why do we have to always have a mridangam artist during our presentation and that’s what led to my research now and below are few points about the mridangam and its importance in Carnatic music.

The Mridangam is used in Carnatic music because it’s a double headed instrument, and one side produces a bass tone and the other side produces a higher pitch that can adapt to different musical moods. It is also a partner for the Carnatic vocalist.
Here are some fun facts about the Mridangam :
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It is a south Indian Carnatic instrument.
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The mridangam is made out of jackfruit wood.
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The word mridangam is a Sanskrit word with mrid meaning clay and angam meaning part of the body. That gives me a thought don’t we use Angas in the alankaras.
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The early 20th century is considered as the golden age of the mridangam.
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Traditionally the mridangam is a heavy instrument because of its solid body.
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Both the sides of the mridangam are covered by animal skin.
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Just like the violin the mridangam has to be tuned to the Sruthi before playing.
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The Mridangam is one of the oldest percussion instrument in Carnatic music.
